Transformation

Memorial to the Murdered Jews of Europe

In the foreground are the concrete steles of the monument, in the background on the left is the Reichstag building with its dome, and in the back on the right is the white building of the USA embassy. A spacious meadow, on the right in the background is the Reichstag building. To the left are other high-rise buildings.

The Memorial to the Murdered Jews of Europe in spring 2023 and the site in July 1991.

MEMORIAL TO THE MURDERED JEWS OF EUROPE

A memorial in the centre

In the 1990s, Germany discussed building a memorial to the Jewish victims of National Socialism. By 2005, the memorial was built in the government district near the Brandenburg Gate. Today it is part of Berlin and the public image of the Federal Republic.

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“The murderers’ children are no murderers…But we can hold them accountable for how they handle the memory of the crime of their ancestors.” This was how survivor Sabina van der Linden quoted another survivor, Elie Wiesel. They spoke for six million Jews that were murdered during the Second World War by German perpetrators. These words were spoken during the inauguration of the Memorial to the Murdered Jews of Europe on May 10, 2005. In 1988, West German intellectuals proposed building a memorial that would commemorate the Jewish victims. It was to be built in Berlin, where the Nazi rulers had decided on and directed the Holocaust. The year after this initiative, the Wall fell, Berlin was united and became the capital once again. In Berlin, now growing together, new locations presented themselves. The choice fell on an area near the Brandenburg Gate. This had previously been the border strip and even earlier the gardens of ministries. Hitler’s Reichskanzlei, in English Reich Chancellery, and bunker were located right next door. New government buildings emerged in the surrounding area, and so the site also carried a message: in the centre of political power, reunited Germany was taking a stance for the murdered Jewish children, women and men.

Regarding the design of the memorial, opinions varied strongly. The result of an initial competition was discarded, the winning design of the second competition was significantly changed. It came from the New York architect Peter Eisenman. On an area of two and a half football fields, 2,700 concrete stelae were to be built. They all have the same base area and stand in the same small distance to each other, but are between a few centimetres and 4.7 metres high and have different inclinations. During the inauguration, Bundestag President Wolfgang Thierse noted that the memorial enables “a sensual-emotional idea of loneliness, distress, threat. It does not enforce anything.”

The memorial was approved by the Bundestag in 1999, as was the historical exhibition at the Information Center and the foundation that takes care of the memorial. Their purpose is “the commemoration of the National Socialist genocide of the Jews of Europe.” This led to debates about how to deal with other groups of victims. For the most part, however, this is not noticeable in the everyday life of tourists: the memorial attracts millions of visitors each year.

MEMORIAL TO THE MURDERED JEWS OF EUROPE

Contemporary Witnesses Report

Since 2005, the Holocaust Memorial has stood in the centre of Berlin. Architect Peter Eisenman reports on why he chose this particular form for the memorial. The visitors perceive the memorial in many different ways.

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Intro
Peter Eisenman explains his concept for the field of stelae.
Rachel Lily Yellin Matsa critically examines the memorial.
Astrid Röwer-Krüger observes the behavior of the visitors.
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Memorial to the Murdered Jews of Europe

After years of discussion, the Memorial to the Murdered Jews of Europe was opened in the heart of Berlin in 2005. The memorial had been subject to discussion for a long time.

CONTEMPORARY WITNESS

Peter Eisenman

The architect of the memorial, Peter Eisenman, talks about how the idea for the field of stelae was born.

“The project was so immense: the idea of the project in the middle of Berlin and the struggle we had with political parties; and the Jewish community didn’t want a memorial, they wanted stuff with Jewish symbolism: stars and kinds of lettering. I said no, I don’t want any of that. I want a field of otherness where people understand that to have been a Jew in Germany was other. And what was it like to be other in space and time. That’s how we came up with the field. It had nothing to do really with the Holocaust symbolically, but it had to do with the fact that I had spoken to a young woman who went with her mother to Auschwitz. She arrived in Auschwitz from Budapest in late ‘44 and Mengele was there and he took her mother over there and the girl said: "No I want to be with my mother". Mengele kicked her and said, you will be with your mother soon enough. And she said, at that moment I felt lost, alone and lost in space. I didn’t know how to move and what to do. And I wanted that feeling of being lost in space to inhabit the memorial.”

CONTEMPORARY WITNESS

Rachel Lily Yellin Matsa

Rachel Lily Yellin Matsa is a Second Generation Jew after the Holocaust. In her opinion, the memorial does not convey the right feeling.

As the second generation we experienced the Holocaust although I wasn’t born in those years. We know the feelings of the people who were in the actual holocaust. This cement would not give me this feeling.”

CONTEMPORARY WITNESS

Astrid Röwer-Krüger

Astrid Röwer-Krüger has guarded and protected the Holocaust Memorial since its opening. She reports on how visitors deal with the memorial.

“Some complain that it is too quiet. Some say they would like to have more peace and quiet, and some just don’t accept that it’s allowed to at least sit down here. They see that as sacrilege, and others say, well, why aren’t we allowed to sunbathe here? So that’s never going to stop, I guess. Humanity is too diverse for that.”

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MEMORIAL OF THE MURDERED JEWS OF EUROPE

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